Les Amants du Pont-Neuf | |
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Film Poster, ©Gaumont 1991
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Directed by | Leos Carax |
Produced by | Christian Fechner |
Written by | Leos Carax |
Starring | |
Music by |
Les Rita Mitsouko David Bowie Arvo Pärt |
Cinematography | Jean-Yves Escoffier |
Edited by | Nelly Quettier |
Distributed by |
Miramax Films (USA) Gaumont (France) |
Release date
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Running time
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125 minutes |
Country | France |
Language | French |
Les Amants du Pont-Neuf (French pronunciation: [lez‿amɑ̃ dy pɔ̃ nœf]) is a 1991 French film directed by Leos Carax, starring Juliette Binoche and Denis Lavant. The title refers to the Pont Neuf bridge in Paris. The North American title of the film is The Lovers on the Bridge, and, in a mistranslation of the original title, the Australian title is Lovers on the Ninth Bridge (instead of "Lovers on the New Bridge").
Set around the Pont Neuf, Paris's oldest bridge, while it was closed for repairs, Les Amants du Pont-Neuf depicts a love story between two young vagrants Alex (Denis Lavant) and Michèle (Juliette Binoche). Alex is a street performer addicted to alcohol and sedatives and Michèle a painter driven to a life on the streets because of a failed relationship and a disease which is slowly destroying her sight. The film portrays their harsh existence living on the bridge with Hans (Klaus Michael Grüber), an older vagrant. As her vision deteriorates Michèle becomes increasingly dependent on Alex. When a possible treatment becomes available, Michèle's family use street posters and radio appeals to trace her. Fearing that she will leave him if she receives the treatment, Alex tries to keep Michèle from becoming aware of her family's attempts to find her. The streets, skies and waterways of Paris are used as a backdrop for the story in a series of set-pieces set during the French Bicentennial celebrations in 1989.
Guiton's documentary notes that from the outset Leos Carax wanted to make a simple film, originally talking about doing it with a small team, in black and white and via Super 8. His first movie Boy Meets Girl had been a small affair, whereas Mauvais Sang had been considerably larger and more costly, albeit more successful at the boxoffice.