"Legend in Your Own Time" | ||||
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Single by Carly Simon | ||||
from the album Anticipation | ||||
B-side | "Julie Through The Glass" | |||
Released | 1972 | |||
Format | 7" single | |||
Recorded | 1971 | |||
Genre | Rock | |||
Length | 3:45 | |||
Label | Elektra | |||
Songwriter(s) | Carly Simon | |||
Producer(s) | Paul Samwell-Smith | |||
Carly Simon singles chronology | ||||
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"Legend in Your Own Time" is a song written and performed by Carly Simon, from her 1971 album Anticipation. It was also issued as the second single from the album, following up on "Anticipation." It did not achieve the same popular success as "Anticipation," reaching only #50 on the Billboard Hot 100. But it reached the Top 20 on Billboard's Adult Contemporary chart, peaking at #11.
"Legend in Your Own Time" has been included on several Carly Simon compilation albums, including The Best of Carly Simon (1975), Clouds in My Coffee (1995), The Very Best of Carly Simon: Nobody Does It Better (1999), Anthology (2002), Reflections: Carly Simon's Greatest Hits (2004) and Carly Simon Collector's Edition (2009).
According to Rolling Stone critic Stephen Davis, the song is about those who have been trying to become famous since being young and eventually achieve their goal, at least to some degree. Author Sheila Weller describes the song as a "sarcastic takedown of an arrogant man."Rolling Stone Album Guide critic Bart Testa describes it as a "pop star snapshot." The song, like its preceding single "Anticipation," was reportedly written about fellow singer Cat Stevens. Author Richard Pfefferman relates "Legend in Your Own Time" and Simon's next single "You're So Vain" to the movement during the early 1970s towards pop songs taking moral stances. In particular, these two Carly Simon songs "degraded fame and fortune."Rolling Stone Album Guide critics Mark Coleman and Ben Edmunds describe how "Legend in Your Own Time" is similar to Simon's two previous singles, "That's the Way I've Always Heard It Should Be" and "Anticipation," matching their "lush, musing tone" and the way they seem to sigh, "positioning Carly as a natural singles artist and a (mild) feminist presence." Musicologist Walter Everett describes how this song, as well as other of Simon's songs from this period, including "Anticipation," "That's the Way I've Always Heard It Should Be" and "You're So Vain," alternate major and minor keys to contrast dreams against reality. Instrumentation includes bongo drums, which play a syncopated rhythm.