Legally Blonde 2
| Legally Blonde 2: Red, White & Blonde |
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Theatrical release poster
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| Directed by | Charles Herman-Wurmfeld |
| Produced by |
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| Screenplay by | Kate Kondell |
| Based on | Characters by Amanda Brown |
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| Music by | Rolfe Kent |
| Cinematography | Elliot Davis |
| Edited by | Peter Teschner |
| Distributed by | Metro-Goldwyn-Mayer |
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Release date
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Running time
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95 minutes |
| Country | United States |
| Language | English |
| Budget | $45 million |
| Box office | $124.9 million |
| Legally Blonde 2: Motion Picture Soundtrack | ||
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| Soundtrack album by Various Artists | ||
| Released | July 1, 2003 | |
| Genre | Pop, pop rock, R&B, alternative rock | |
| Label | Curb Records | |
| Producer | Anita Camarata, Antonina Armato, Dann Huff, Kaylin Frank, Michael Patterson, Nic Jodoin, Timothy James | |
| Singles from Legally Blonde 2: Motion Picture Soundtrack | ||
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| Allmusic |   |
Legally Blonde 2: Red, White & Blonde (also referred to as just Legally Blonde 2) is a 2003 American comedy film directed by Charles Herman-Wurmfeld and written by Kate Kondell. The sequel to the 2001 film Legally Blonde, the film stars Reese Witherspoon alongside an ensemble cast featuring Sally Field, Regina King, Jennifer Coolidge, Bruce McGill, Dana Ivey, Mary Lynn Rajskub, Bob Newhart, and Luke Wilson, with Coolidge and Wilson reprising their roles from the first film.
Even though the story was set in Washington, D.C., the film was shot in the offices at Vivint Smart Home Arena (then the Delta Center), the Utah State Capitol in Salt Lake City, Utah, and the Illinois State Capitol in Springfield, Illinois. The supposed "aerial views" on Washington buildings were scale models built by the crew.
The film opened on July 2, 2003 to generally negative reviews from critics. However, it was a box office success, grossing $90 million in North America and $125 million worldwide.
Elle Woods wants her Chihuahua, Bruiser, to reunite with his mother, because she would like Bruiser's mom to attend Elle and Emmett's wedding. Elle hires a detective to find Bruiser's mother, only to discover that the owner of her dog's mother is C'est Magnifique, a cosmetics company that uses Bruiser's mother for "testing". She finds out that her law firm represents the C'est Magnifique Corporation.
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