Lee Tung Foo

Lee Tung Foo
Singer in the United States
Born	(1875-04-23)April 23, 1875 Watsonville, California, U.S.
Died	May 1, 1966(1966-05-01) (aged 91) Los Angeles, California, U.S.
Other names	Lee Tong Foo
Occupation	Actor
Years active	1910–1962

Lee Tung Foo (also known as Frank Lee) was a Chinese American Vaudeville performer born in California who performed in English, German, and Latin. He became a film actor later in his life.

At the age of 45, he ran a Chinese restaurant he bought in New York City called Jung Sy Mandarin Restaurant. He opened a second restaurant, Imig Sy, and both were strategically placed near Broadway. By the 1930s he returned to theater work, playing some minor roles until 1932, when he was cast as Wang Yun in the film, The Skull Murder Mystery. He continued with minor roles, being cast as the servant of the Detective, Mr. Wong, in the 1939 film The Mystery of Mr. Wong. His last work was in The Manchurian Candidate, an uncredited role as a "Man in Lobby" at the age of 87.

Born in 1875 in Watsonville, California Lee was a son of Chinese immigrants. Lee's parents had started a Laundry and grocery business in Watsonville, but moved many times before finally settling in Ripon, California. In his youth Lee had run away from home after growing pressure from his father to leave school and work full-time. Working as a servant Lee was introduced to American music by his employers who had also encouraged him to go to school. A servant in the Oakland home of Zeno Mauvais, a local music store owner, Lee was influenced by his wife Mae S. Mauvais who worked in the Chinese Presbyterian Mission. Lee joined the church, sang in the mission choir and played the piano and reed organ. Through the mission Lee was taken in by Margaret Blake Alverson, "a well known voice teacher in the San Francisco Bay Area". whom he worked with many years to hone his singing ability.

Lee first came in to the vaudeville stage in 1905. Hoping to dismantle the "racist attitudes that had been developing on the stage and in print media over the latter half of the nineteenth century." Lee performed in a manner that no other Chinese American vaudevillians had done before. Lee fused yellowface, a caricature portrayal of Asians done by European American actors, with "singing operatic and popular songs, doing ethnic impersonations, and exchanging comedic patter.". By combining what the general public were familiar with, yellowface, and using his musical and comedic talent Lee quickly gained recognition. His singing performance left many thinking that it was remarkable a Chinese man could sing this well. Lee broke the stereotype that Chinese musical ability were limited and inferior and became the forefront of Chinese Americans performing in American popular culture.