Lee Breuer (born 1937) is an American playwright, theater director, academic, educator, film maker, poet and lyricist.
Breuer is a founding co-artistic director of Mabou Mines Theater Company in New York City, which he began in 1970 with colleagues Philip Glass, Ruth Maleczech, JoAnne Akalaitis, David Warrilow, and Frederick Neumann.
Breuer's most recent work La Divina Caricatura: Part I The Shaggy Dog was co-produced by Mabou Mines. His previous Mabou Mines production include Red Beads created in collaboration with puppeteer Basil Twist and composer Ushio Torikai. Of the September 2005 New York City premiere, the New York Times critic wrote "...theater as sorcery; it is a crossroads where artistic traditions meet to invent a marvelous common language. It is a fairy tale, a puppet play and a chamber opera… amazing work."
Mabou Mines Dollhouse, a deconstruction of the Ibsen classic, won 2004 Obie Awards for Best Director and Best Performance. The production toured nationally and internationally to more than 30 cities on 5 continents. Breuer directed high definition video adaptation of stage production for Arte television France, which was aired throughout Europe.
Much of Breuer's previous work with Mabou Mines premiered at The Public Theater (NYC) under the patronage of the late Joseph Papp, and at the La Mama Experimental Theater Club under the patronage of Ellen Stewart. These include his Obie-winning adaptation of three works by Samuel Beckett: Play, Come and Go and The Lost Ones.
He authored/directed Mabou Mines' trilogy, Animations, including The B Beaver, The Red Horse and The Shaggy Dog Animation, which was awarded the Obie for Best Play in 1978. In 1980 Breuer received two Obies for writing and direction of his play, A Prelude to a Death in Venice. He also wrote and directed An Epidog, the winner of the President's Commission Kennedy Center-American Express Award for Best New Work.