Le mage

Le mage
Opera by Jules Massenet
Massenet and Richepin, the authors, on a magazine cover on 31 March 1891
Librettist	Jean Richepin
Language	French
Premiere	16 March 1891 (1891-03-16) Paris Opéra

Le mage is an opera in five acts by Jules Massenet to a French libretto by Jean Richepin. It was first performed at the Paris Opéra in Paris on 16 March 1891 in costumes by Charles Bianchini and sets by Auguste-Alfred Rubé, Philippe Chaperon and Marcel Jambon (Act I), Amable and Eugène Gardy (Act II), Alfred Lemeunier (Act III), and Jean-Baptiste Lavastre and Eugène Carpezat (Acts IV and V).

Since its premiere run of 31 performances Le mage has been rarely performed (it was seen in The Hague in 1896), and is one of Massenet's least known operas. However, it falls squarely in the middle of his most inspired period and therefore deserves attention. A rare complete concert performance took place in Saint-Étienne in 2012.

At dawn in the camp of the Persian general Zarastra

He has just defeated the Touranians. Amrou, high priest of the Persians, enters with his daughter, Varedha, priestess of Djahi, goddess of love. Varedha declares her love for Zarastra. He however loves the captive Touranian queen, Anahita; she is in love with him but rejects him rather than betray her countrymen.

Scene 1: In a subterranean chamber in the Djahi temple

Amrou enters looking for Varedha, and promises vengeance on Zarastra for spurning his daughter.

Scene 2: In the square of Balzhdi

Zarastra, hailed by the courtiers and priests, presents before the Persian king the treasures and captives he has taken. As the prize of his victory he requests to take as wife Anahita. Amrou objects to the union – Zarastra promised to marry Varedha. Although the general denies this, Amrou convinces everyone that he has broken his word, and Zarastra is banished.

On a holy mountain – sacred to the god of fire

Zarastra is worshiped now as a magus, and prays. His meditation is broken by Varedha who has pursued him to the mountain and swears her love for him. She finally says that Anahita is about to marry the king.

The temple of Djahi

There are dances in preparation for the wedding. But Anahita refuses to marry the king, who nonetheless tries to proceed with the ceremony. Anahita threatens an uprising, and Touranian soldiers burst in and overrun the city.

The ruins of Balzdhi