Le charme discret de la bourgeoisie
| The Discreet Charm of the Bourgeoisie | |
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Theatrical release poster
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| Directed by | Luis Buñuel |
| Produced by | Serge Silberman |
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| Starring | |
| Cinematography | Edmond Richard |
| Edited by | Hélène Plemiannikov |
| Distributed by | 20th Century Fox |
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Release date
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Running time
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102 minutes |
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| Language | French |
| Budget | $800,000 |
The Discreet Charm of the Bourgeoisie (French: Le Charme discret de la bourgeoisie) is a 1972 surrealist film directed by Luis Buñuel and written by Jean-Claude Carrière in collaboration with the director. The film was made in France and is mainly in French, with some dialogue in Spanish.
The narrative concerns a group of upper middle class people attempting—despite continual interruptions—to dine together. The film received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay.
The film consists of several thematically linked scenes: five gatherings of a group of bourgeois friends, and the four dreams of different characters. The beginning of the film focuses on the gatherings, while the latter part focuses on the dreams, but both types of scenes are intertwined. There are also scenes involving other characters, such as two involving a Latin American female terrorist from the fictitious Republic of Miranda. The film's world is not logical: the bizarre events are accepted by the characters, even if they are impossible or contradictory.
The film begins with a bourgeois couple, the Thévenots (Frankeur and Seyrig), accompanying M. Thévenot's colleague Rafael Acosta (Rey) and Mme. Thévenot's sister Florence (Ogier), to the house of the Sénéchals, the hosts of a dinner party. Once they arrive, Alice Sénéchal (Audran) is surprised to see them and explains that she expected them the following evening and has no dinner prepared. The would-be guests then invite Mme Sénéchal to join them for dinner at a nearby inn. Finally arriving at the inn, the party finds it locked. They knock and are invited in, despite the waitress' seeming reluctance and an ominous mention of "new management". Inside, there are the sounds of wailing voices from an adjoining room but no diners (despite disconcertingly cheap prices). It is learned that the manager died a few hours earlier, and his former employees are holding vigil over his corpse, awaiting the coroner. The party hurriedly leaves.
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