Le Pays des sourds

In the Land of the Deaf
Japanese version of promotional poster
Directed by	Nicolas Philibert
Produced by	BBC Canal+ Fondation de France La Sept-cinéma RAI Tre Télévision Suisse Romande
Written by	Nicolas Philibert
Cinematography	Frédéric Labourasse
Edited by	Guy Lecorne
Release date	1992
Running time	99 minutes
Country	France
Language	French French Sign Language

In the Land of the Deaf is the English title of a French documentary (Le Pays des sourds) created and produced by Nicolas Philibert in 1992. The film is presented French Sign Language (FSL) and French, with English subtitles and closed captions. Philibert uses sparse dialogue in creating an unsentimental, non-manipulative work which allows its subjects to communicate their feelings about the richness of life despite hearing problems.

Prior to its initial theatrical release, this excursion into the unique world of Deaf communities in France was featured in international film festivals.

In its subsequent broadcast debut in the United States, the film was honored with a Peabody Award for excellence.

This film focuses on the interrelationships between Deaf culture and language in France. Its overview encompasses a broad range of perspectives, contrasting the stories of a family who has been deaf and thriving for five generations with the story of a woman whose deafness was misunderstood, causing her to be confined for a time in an asylum for the insane. The documentary features hearing-impaired people of all ages and from all walks of life. With their profound deafness in common, the children and adults featured in this film communicate their dreams and thoughts through sign language. In one segment, Philibert focuses his camera on group of schoolchildren who are learning how to communicate in a world where they must read lips and speak words. The personal lives of some of the pupils and various adults are explored, including an actor, a sign-language teacher, and an engaged couple.

This documentary was co-produced by multinational partners, which reduced the financial risks inherent in the project; and co-production also ensured enhanced distribution opportunities.

This small film has attracted an appreciative international audience. The quotidian life of the deaf as presented by Philibert is distinguished by an unsentimental compassion and an affirmation of the serendipitous.