Le Cousin Pons

Le Cousin Pons (French pronunciation: ​[lə kuzɛ̃ pɔ̃s]) is one of the last of the 94 works of Honoré de Balzac’s Comédie humaine, which are in both novel and short story form. Begun in 1846 as a novella, or long-short story, it was envisaged as one part of a diptych, Les Parents pauvres (The Poor Relations), the other part of which was La Cousine Bette (Cousin Bette). The book was originally published as a serial in Le Constitutionnel.

The novella grew in 1847 into a full-length novel with a male poor relation, Pons, as its subject, whereas La Cousine Bette describes the female aspect of that subordinate relationship. The two novels were thus similar yet diametrically different. They were complementary, forming two parts of a whole.

Le Cousin Pons has been classified by Balzac as the second Episode of Les Parents pauvres, the first Episode being La Cousine Bette. Especially admired by Paul Bourget, it is one of the very greatest of his novels.

The novella was based on a short story by an acquaintance of Balzac, Albéric Second, as Tim Farrant has demonstrated. Its original title was to have been “Le Parasite”. Sylvain Pons, a musician in a Parisian boulevard orchestra, has a close friend in another musician from that same orchestra, the German pianist Wilhelm Schmucke. They lodge with Mme Cibot, but Pons – unlike Schmucke – has two failings: his passion (which is almost a mania) for collecting works of art, and his passion for good food. Schmucke, on the other hand, has only one passion, and that is his affection for Pons. Pons, being a gourmet, much enjoys dining regularly with his wealthy lawyer cousins M. and Mme Camusot de Marville, for their food is more interesting than Mme Cibot’s and full of gastronomic surprises. In an endeavour to remain on good terms with the Camusots, and to repay their favour, he tries to find a bridegroom for their unappealing only child Cécile. However, when this ill-considered marriage project falls through, Pons is banished from the house.

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Wikipedia