LeConte Stewart | |
---|---|
Born |
Glenwood, Utah, United States |
15 April 1891
Died | 6 June 1990 Kaysville, Utah, United States |
(aged 99)
Nationality | American |
Occupation | Landscape Artist |
Spouse(s) | Zipporah Layton |
Parent(s) | Isaac John Stewart and Anna Eva Heppler |
LeConte Stewart (April 15, 1891 – June 6, 1990) was a Mormon artist primarily known for his landscapes of rural Utah. His media included oils, watercolors, pastel and charcoal, as well as etchings, linocuts, and lithographs. His home/studio in Kaysville, Utah is on the National Register of Historic Places.
Stewart was born in Glenwood, Utah. His art education began in 1912 at the University of Utah, and included studies at the Art Students League summer school at Woodstock, New York, and the Pennsylvania Academy of the Fine Arts in Chester Springs. Stewart became the head of the Art Department at the University of Utah in 1938, and held that post until his retirement in 1956. Stewart died in Kaysville, Utah at the age of 99.
Stewart is best known for his unidealized landscapes of rural Utah, spawning the term "LeConte Stewart Country." Stewart is quoted as saying, "It is not that I love the lyrical in nature the less, but I feel that in modern life there is no time, no inclination for it. In these pictures I'm trying to cut a slice of contemporary life as it is in the highways and biways [sic] as I have found it." Some of Stewart's paintings have a photographic quality from a distance but are actually formed with broad strokes and a thick palette.
Much of his work uses direct impressionistic techniques to convey the meaning of what he saw around him, illustrating things "...that are introspective, that you peer into, that you understand and feel." Stewart stated: "Impressionism is the most important painting innovation of all time....I thought to myself, why not use this technique to express an idea rather than making it the end goal of a painting? I have tried to think of it as a means of interpreting landscaping rather than making it merely impressionistic."