Laura Martin
| Laura Martin | |
|---|---|
| Born | Laura DePuy |
| Area(s) | Colourist |
| Awards |
Comics Buyer's Guide Favorite Colorist, 2001, 2002, 2003, and 2004. Eisner Award for Best Colorist, 2000 and 2002. |
| http://www.colorista.net | |
Laura DePuy (credited later in her career as Laura Martin, having married Randy Martin in 2001) is a colorist who has produced work for several of the major comics companies, including DC Comics, Marvel Comics and CrossGen.
A sometimes comics reader as a child, she attended a graphic design program at the University of Central Florida, and, while "work[ing] the night shift at Kinko's... met [comics/Jim Lee fan] Ian Hannin, who... got me hooked on comics, and started me thinking about a possible career." Hannin later went on to work for Lee's WildStorm Studios, so when DePuy graduated, she "...went to visit him, and took my portfolio (now filled with comic-related coloring and artwork)... [and was] hired on several months later."
DePuy/Martin has worked in comics professionally since 1995, and after being hired in 1995, served for five years as a "staff colorist and assistant supervisor," and "[o]ccasional designer" for Jim Lee's WildStorm Studios, then an integral part of Image Comics. Among her earliest works was the collaboratively-colored Marvel/Image(WildStorm) two-issue mini-series Backlash/Spider-Man (Jul-Oct 1996), after which she co-colored issues of Divine Right and StormWatch.
In 1999, after the sale of WildStorm to DC Comics, DePuy became sole colorist on Warren Ellis and John Cassaday's Planetary series, as well as Ellis and Bryan Hitch's Authority. Much of her work since then has involved coloring the artwork of both Cassaday and Hitch, who rarely work with other colorists.
DePuy colored the JLA: Earth 2 graphic novel by Grant Morrison and Frank Quitely in 1999, before, in late 2000, she also began coloring Dougie Braithwaite's art on the Alex Ross/Jim Krueger Marvel series Universe X, and in November joined Bryan Hitch on Mark Waid's JLA, coloring issues #47 - 58, following in tone the oversize volume JLA: Heaven's Ladder.
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