Lady Day: The Complete Billie Holiday on Columbia 1933-1944 | ||||
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Box set by Billie Holiday | ||||
Released | October 2, 2001 | |||
Recorded | November 1933 to January 1944 |
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Genre | Jazz | |||
Length | 11:21:57 | |||
Label | Legacy Recordings | |||
Producer |
Michael Brooks Michael Cuscuna |
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Billie Holiday chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Lady Day: The Complete Billie Holiday on Columbia 1933–1944 is a box set ten-disc compilation of the complete known studio master recordings, plus alternate takes, of Billie Holiday during the time period indicated, released in 2001 on Columbia/Legacy, CXK 85470. Designed like an album of 78s, the medium in which these recordings initially appeared, the 10.5" × 12" box includes 230 tracks, a 116-page booklet with extensive photos, a song list, discography, essays by Michael Brooks, Gary Giddins, and Farah Jasmine Griffin, and an insert of appreciations for Holiday from a diversity of figures including Tony Bennett, Elvis Costello, Marianne Faithfull, B.B. King, Abbey Lincoln, Jill Scott, and Lucinda Williams. At the 44th Grammy Awards on February 27, 2002, the box set won the Grammy Award for Best Historical Album of the previous year.
These recordings were made in a time before the LP album, introduced by Columbia Records in 1948. Starting at approximately the turn of the 19th century into the 20th, recorded music arrived on the market in the form of a ten-inch gramophone record that played at 78 revolutions per minute, two songs of generally no more than four minutes duration per side. The advent of radio increased demand for recorded music played in the home through the 1920s. However, during the Great Depression, home record sales decreased dramatically, but a relatively viable market still existed for the inexpensive play of records in jukeboxes, which had proliferated during the 1920s and 1930s. Initially, these records featuring Billie Holiday were made with that market in mind.