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La Femme aux Phlox (Gleizes)

La Femme aux Phlox
English: Woman with Phlox
Albert Gleizes, 1910, Femme aux Phlox, oil on canvas, 81 x 100 cm, exhibited Armory Show, New York, 1913, The Museum of Fine Arts, Houston..jpg
Artist Albert Gleizes
Year 1910
Medium Oil on canvas
Dimensions 81 cm × 100 cm (31 in × 39 in)
Location Museum of Fine Arts, Houston

La Femme aux Phlox, also known as Woman with Phlox or Woman with Flowers, is an oil painting created in 1910 by the French artist and theorist Albert Gleizes (1881–1953). The painting was exhibited in Room 41 at the Salon des Indépendants in the Spring of 1911 (no. 2612); the exhibition that introduced Cubism as a group manifestation to the general public for the first time. The complex collection of geometric masses in restrained colors exhibited in Room 41 created a scandal from which Cubism spread throughout Paris, France, Europe and the rest of the world. It was from the preview of the works by Gleizes, Metzinger, Le Fauconnier, Delaunay and Léger at the 1911 Indépendants that the term 'Cubism' can be dated. La Femme aux Phlox was again exhibited the following year at the Salon de la Section d'Or, Galerie La Boétie, 1912 (no. 35). La Femme aux Phlox was reproduced in The Cubist Painters, Aesthetic Meditations (Les Peintres Cubistes) by Guillaume Apollinaire, published in 1913. The same year, the painting was again revealed to the general public, this time in the United States, at the International Exhibition of Modern Art (The Armory Show), New York, Chicago, and Boston (no. 195). The work is now in the Museum of Fine Arts, Houston, Gift of the Esther Florence Whinery Goodrich Foundation.

La Femme aux Phlox is an oil on canvas with dimensions 81 x 100 cm (31 by 39 inches) signed and dated 'Alb Gleizes 10'. Created during the second half of 1910, the painting represents a woman sitting in an interior setting, with a vase of flowers (phloxes) in front and another to her left. The window behind the sitter opens out onto an exterior scene, the whole blurring the distinction between interior and exterior.

In 1964 art historian Daniel Robbins writes of La Femme aux Phlox in the catalogue of the Gleizes Retrospective at the New York Guggenheim:


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