La Bête Humaine (film)
| La Bête Humaine | |
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Theatrical release poster
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| Directed by | Jean Renoir |
| Produced by |
Raymond Hakim Robert Hakim |
| Screenplay by |
Jean Renoir Denise Leblond |
| Based on | the novel La Bête Humaine by Émile Zola |
| Starring |
Jean Gabin Simone Simon |
| Music by | Joseph Kosma |
| Cinematography | Curt Courant |
| Edited by | Suzanne de Troeye Marguerite Renoir |
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Production
company |
Paris Film
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| Distributed by | Lux Compagnie Cinématographique de France Paris Films Location |
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Release date
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Running time
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100 minutes |
| Country | France |
| Language | French |
La Bête Humaine (English: The Human Beast and Judas Was a Woman) is a 1938 French film directed by Jean Renoir, with cinematography by Curt Courant. The picture features Jean Gabin, and is loosely based on the novel of the same name by Émile Zola.
La Bête Humaine is partially set "on a train that may be thought of as one of the main characters in the film." Although generally listed as a romantic drama, it is sometimes considered a precursor to the film noir genre.
The solitary Lantier, who drives a locomotive between Paris and Le Havre, is liable to go into a murderous fit if alone with a woman he desires. He only feels secure when driving the train with his fireman Pecqueux. However, he cannot fail to notice Séverine, the sexy wife of Roubaud, the deputy stationmaster at Le Havre. She in the past had an affair with the rich and influential Grandmorin. The jealous Roubaud forces her to meet Grandmorin on a train, There he robs and kills his rival, but by chance the off-duty Lantier is a witness. Because he is attracted to Séverine, he says nothing to the police, for which one night she rewards him. Then she starts suggesting to Lantier that he should get rid of her husband, but he fails the test. Instead, calling on her one night, he has a fit and kills her. Next day, after confessing to Pecqueux, he jumps to his death from the speeding train.
Jean Gabin wanted to star in a film about locomotives and wrote a screenplay called Train d'Enfer, that was originally to be directed by Jean Grémillon. Dissatisfied with the script, Grémillon suggested an adaptation of La Bête humaine. After his success starring in Renoir's Grand Illusion (1937), Gabin preferred to work with Jean Renoir again, and hired him instead of Grémillon. Renoir eventually wrote the script over a period of eight to fifteen days. After its completion, Renoir read the screenplay to Gabin's producer Robert Hakim, who asked for "trifling modifications".
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Wikipedia