*** Welcome to piglix ***

L.D. 50 (album)

L.D. 50
ElDeeFifty.jpeg
Studio album by Mudvayne
Released August 22, 2000
Recorded May 2000
Studio The Warehouse Studio, Vancouver
Genre
Length 68:32
Label No-Name/Epic
Producer
Mudvayne chronology
L.D. 50
(2000)
The End of All Things to Come
(2002)
Singles from LD.50
  1. "Dig"
    Released: 2000
  2. "Death Blooms"
    Released: 2000
  3. "Nothing to Gein"
    Released: 2001
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars
Blabbermouth.net 8/10
Exclaim! (unfavorable)
Martin Charles Strong 6/10 stars
Melody Maker 3.5/5 stars
NME (unfavorable)
Rolling Stone 3/5 stars

L.D. 50 is the debut studio album by American heavy metal band Mudvayne. Released in 2000, it is the band's first release on Epic Records, following the independently released extended play, Kill, I Oughtta. L.D. 50 was coproduced by GGGarth & Mudvayne and executive produced by Steve Richards & Slipknot member Shawn "Clown" Crahan. The band's elaborate visual appearance resulted in increased recognition of the band and L.D. 50 peaked at No. 85 on the Billboard 200. The album was appraised by critics for its technical and heavy style of music.

Mudvayne formed in 1996 in Peoria, Illinois. The band became known for its strong visual appearance, which included horror film-styled makeup. After independently releasing their debut extended play, Kill, I Oughtta, the band signed to No-Name/Epic Records.L.D. 50 was produced by Garth "GGGarth" Richardson and executive produced by Steve Richards and Slipknot member Shawn "Clown" Crahan. Epic Records initially chose to promote the band without focusing on its appearance and early promotional materials featured a logo instead of photographs of the band. However, the band's appearance and music videos increased recognition of the album. According to the band, the production of the album was very hectic. Drummer Matthew McDonough reflected, "We worked around the clock, and some of the engineers we had with us literally went for days with-out sleep. It was very, very time-intensive. We didn't party. We were recording in Vancouver but didn't get to see the town-we were just there and we worked and that was it. It was very intense, and Garth ran a tight ship." Singer Chad Gray recalled, "Making the record was crazy. It was all about work. There were songs I left alone and didn't mess with until we were in the studio, which was not a smart idea considering the time and budget constraints we were under. I wrote 'Pharmaecopia' and 'Nothing To Gein' on our last night in the studio, before the tapes were sent to New York to be mixed. The pres-sure [sic] was insane."


...
Wikipedia

...