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L'Origine du monde

L'Origine du monde
Origin-of-the-World.jpg
Artist Gustave Courbet
Year 1866
Medium Oil on canvas
Dimensions 46 cm × 55 cm (18 in × 22 in)
Location Musée d'Orsay, Paris

L'Origine du monde ("The Origin of the World") is an oil-on-canvas painted by French artist Gustave Courbet in 1866. It is a close-up view of the genitals and abdomen of a naked woman, lying on a bed with legs spread. The framing of the nude body, with head, arms and lower legs outside of view, emphasizes the eroticism of the work.

At the time Courbet was working on the painting his favourite model was a young woman, Joanna Hiffernan, also known as Jo. Her lover at the time was the American painter James Whistler, a friend of Courbet.

Courbet did another painting in 1866, La belle Irlandaise (Portrait of Jo), whose model was Hiffernan. During his whole career, Courbet did four portraits of Hiffernan. She was probably the model for L'Origine du monde, which might explain Courbet's and Whistler's brutal separation a short while later. Whistler then returned to London. In spite of Hiffernan's red hair contrasting with the darker pubic hair of L'Origine du monde, the hypothesis that Hiffernan was the model for it continues. In her RED: A Natural History of the Redhead Jacky Colliss Harvey puts forward the idea that the woman's body-hair suggests a more obvious candidate might be the brunette painted with Hiffernan in Courbet's Le Sommeil; and that the identification with Hiffernan has been greatly influenced by the eroticised and sexualised image of the female redhead.

In February 2013, Paris Match reported that Courbet expert Jean-Jacques Fernier had authenticated a painting of a young woman's head and shoulders as the upper section of L'Origine du monde which according to some was severed from the original work. Fernier has stated that because of the conclusions reached after two years of analysis, the head will be added to the next edition of the Courbet catalogue raisonné. The Musée d'Orsay has indicated that L'Origine du monde was not part of a larger work.


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