Kurt Moll
| Kurt Moll | |
|---|---|
| Born |
11 April 1938 Buir, Germany |
| Died | 5 March 2017 (aged 78) Cologne, Germany |
| Education | Musikhochschule Köln |
| Occupation | Operatic bass |
| Organization | |
Kurt Moll (11 April 1938 – 5 March 2017) was a German operatic bass singer who enjoyed an international career and was widely recorded.
His voice was notable for its range, a true basso profondo, including full, resonant low and very-low notes with relaxed vibrato; also for its purring, contrabassoon-like timbre. Although he had a powerful voice and stamina adequate for the most demanding parts, he was not a thunderer, and never performed as Wagner's vocally athletic, bellowing bassos Hagen, Hans Sachs, nor Wotan. His interpretations tended to be restrained and intelligent, even in comedic roles like Osmin in Mozart's Die Entführung aus dem Serail and Baron Ochs in Der Rosenkavalier.
Moll was born in Buir, near Cologne, Germany. As a child, he played the cello and hoped to become a great cellist. (He also had ambitions to be an industrialist/businessman.) He also sang in the school choir, the conductor of which encouraged him to concentrate on singing. He studied voice at the Musikhochschule Köln with Emmy Müller. He joined the Cologne Opera at age 20 and remained a member of the ensemble until 1961. He then sang for three years at the Mainz Opera and five years at the Wuppertal Opera. In 1969, he accepted an engagement with the Hamburg State Opera, and then performed in major opera houses of Europe.
He made his debut at the Bayreuth Festival in 1968, Nachtwächter in Die Meistersinger von Nürnberg, and sang there for several years Fafner in Der Ring des Nibelungen, Marke in Tristan und Isolde and Pogner in Die Meistersinger.
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