Kurt Kren

Kurt Kren (September 20, 1929 - died in Vienna on June 23, 1998) was an Austrian avant-garde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted, although this accounts for only a part of his career, and he later returned to the Structural roots of his third film 3/60: Bäume Im Herbst. Although not a seminal Structural film, 31/75: Asyl is arguably one of the more satisfying films of the movement.

Kurt Kren was born in 1929 in Vienna, Austria to a family of a Jewish father (a bank employee) and German mother. From 1939 until the end of World War II Kren lived in Rotterdam, where he was sent with one of the Children's Transports. In 1947 Kren returned to Vienna, and his father provided him a job at the National Bank.

He began a film career in the early 1950s creating experimental short 8mm films. In 1957 he moved to the 16mm format.

In 1966, Kren participated in the Destruction in Art Symposium in London. In 1968 he visited the United States for the first time, showing his films in New York City and St. Louis. After a participation in a happening "Kunst und Revolution" ("Art and Revolution") at the University of Vienna in 1968, Kren's films were confiscated and he was fired from the National Bank.

Kren participated in 1970 in the International Underground Film Festival (London, UK) and 1971 in the Cannes Film Festival. He moved to Cologne, Germany for five years.

Retrospective screenings took place in 1976 in National Film Theatre, London, 1978 in New York City, 1979 in Museum of Modern Art, New York.

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