Kramer guitars
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| Subsidiary | |
| Industry | Musical instruments |
| Founded | 1976 in Neptune Township, New Jersey |
| Founder | Dennis Beradi, Gary Kramer, Peter LaPlaca, Phil Petillo |
| Headquarters | Nashville, Tennessee, United States |
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Area served
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Worldwide |
| Products | Electric guitars and basses |
| Parent | Gibson Guitar Corporation |
| Website | kramerguitars.com |
Kramer Guitars (pronounced "KRAY-MUR") is an American manufacturer of electric guitars and basses. Kramer produced aluminum-necked electric guitars and basses in the 1970s and wooden-necked guitars catering to hard rock and heavy metal musicians in the 1980s; Kramer is currently a division of Gibson Guitar Corporation.
There is some dispute over the company's early history, but it begins with Travis Bean, a California luthier who was building guitars with aluminum necks. Bean and Gary Kramer started the Travis Bean guitar company in 1974, in Sun Valley, and while their guitars did well, Bean lost interest and left most of the business aspects to Kramer; the two parted ways.
Kramer then founded the company that still bears his name, improving on the Bean design—Bean's necks were heavy and the material felt cold to the touch. Kramer's improvement consisted of two wooden inserts in the back of the neck. By 1975 he had hooked up with a friend from New York, Dennis Berardi, and the two founded BK International, which engaged luthier Phil Petillo to make prototypes for them. Other involved parties were Henry Vaccaro, a real estate person who invested money in the venture, and Peter LaPlaca, who had experience with Norlin, the company that owned Gibson Guitar Corporation from 1969 to 1986. The rest of the account is murky: Kramer says he was supposed to increase production but was too inexperienced in that area, and he wanted to move back to the West Coast. He was to sell back his interests and receive royalties, and then represent the company out west, but none of this seems to have happened.
Introduced in 1976, early models featured the trademark "tuning fork head" aluminum-reinforced necks with a fretboard made of Ebonol—material similar to one used in bowling ball production. Other features of the necks included aluminum dots, and a zero fret. Gary Kramer's inserts, set in epoxy, were usually walnut or maple. The bodies were usually made of high grade Walnut or Maple, with the earliest instruments made of exotic tonewoods including Koa, Afromosia, Swietenia, Shedua, and Bubinga. The hardware was also from a known quality brand: Schaller tuning keys and bridges; Schaller and DiMarzio pickups; custom-made strap pins; aluminum cavity covers. Kramer's "alumi-neck" line lasted roughly until 1982.
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