Kraken (novel)
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Cover
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| Author | China Miéville |
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| Country | United Kingdom |
| Language | English |
| Genre | Urban fantasy, Weird fiction |
| Publisher | Macmillan |
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Publication date
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7 May 2010 |
| Media type | Print (Hardcover) |
| Award | Locus Award for Best Fantasy Novel (2011) |
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| Preceded by | The City & the City |
| Followed by | Embassytown |
Kraken is a fantasy novel by British author China Miéville. It is published in the UK by Macmillan, and in the US by Del Rey Books. The book bears the subtitle "An Anatomy" on the title page. It was the winner for the 2011 Locus Award for Best Fantasy Novel.
Miéville has described the book as "a dark comedy about a squid-worshipping cult and the end of the world. It takes the idea of the squid cult very seriously. Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they’re not absurd."
An inexplicable event has occurred at the Natural History Museum, London — a forty-foot specimen of giant squid in formalin has disappeared overnight. Additionally, a murder victim is found folded into a glass bottle. Various groups are interested in getting the squid back, including a naive staff member, a secret squad of London police, assorted religious cults, and various supernatural and mostly dead criminal elements. The wondrous squid represents deity to the Church of Kraken Almighty. Did they liberate their god, or could it have been stolen by a rival cult? The only thing that all agree upon is that the fate of this embalmed kraken is intimately tied to the End of the World.
In a review for The Guardian, Damien G Walter says: "Kraken seems as though Miéville is taking a step back from the artistic agenda that has previously informed his writing, perhaps to flex creative muscles grown stiff in the constraining seriousness of the New Weird. And Miéville sets about his dark comedy with almost unseemly relish." Similarly, in a review originally published in The Sydney Morning Herald, James Bradley observes, "[Kraken is] Miéville’s most stylistically exuberant work to date, not just gloriously adjectival ... but wildly creative as well, marrying a marvellous ear for the rhythms of London English to the cracked semi-scientific jargon of occult literature."
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