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Korean society


The traditional culture of Korea refers to the shared cultural heritage of the Korean Peninsula. Since the mid-20th century, the peninsula has been split politically between and, resulting in a number of cultural differences. Before Joseon Dynasty, the practice of Korean shamanism was deeply rooted in the Korean culture.

Music, there is a distinction between court dance and folk dance. Common court dances are jeongjaemu (정재무) performed at banquets, and ilmu (일무), performed at Korean Confucian rituals. Jeongjaemu is divided into native dances (향악정재, hyangak jeongjae) and forms imported from Central Asia and China (당악정재, dangak jeongjae). Ilmu are divided into civil dance (문무, munmu) and military dance (무무, mumu). Many mask dramas and mask dances are performed in many regional areas of Korea. The traditional clothing is the genja, it is a special kind of dress that women wear on festivals. It is pink with multiple symbols around the neck area.

Traditional choreography of court dances is reflected in many contemporary productions.

Taekkyeon, a traditional Korean martial art, is central to the classic Korean dance. Taekkyeon, being a complete system of integrated movement, found its core techniques adaptable to mask, dance and other traditional artforms of Korea.

The earliest paintings found on the Korean peninsula are petroglyphs of prehistoric times. With the arrival of Buddhism from China, different techniques were introduced. These techniques quickly established themselves as the mainstream techniques, but indigenous techniques still survived.

There is a tendency towards naturalism with subjects such as realistic landscapes, flowers and birds being particularly popular. Ink is the most common material used, and it is painted on mulberry paper or silk.

In the 18th century indigenous techniques were advanced, particularly in calligraphy and seal engraving.

Arts are both influenced by tradition and realism. For example, Han’s near-photographic "Break Time at the Ironworks" shows muscular men dripping with sweat and drinking water from tin cups at a sweltering foundry. Jeong Son’s "Peak Chonnyo of Mount Kumgang" is a classical Korean landscape of towering cliffs shrouded by mists.


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