Komuso

The komusō (虚無僧, komusō^?, hiragana: こむそう; also romanized komusou or komuso) were a group of Japanese mendicant monks of the Fuke school of Zen Buddhism who flourished during the Edo period of 1600-1868. Komusō were characterized by a straw bascinet (a sedge or reed hood named a tengai or tengui) worn on the head, manifesting the absence of specific ego. They were also known for playing solo pieces on the shakuhachi (a type of Japanese bamboo flute). These pieces, called honkyoku ("original pieces"), were played during a meditative practice called suizen, for alms, as a method of attaining enlightenment, and as a healing modality. The Japanese government introduced reforms after the Edo period, abolishing the Fuke sect. Records of the musical repertoire survived, and are being revived in the 21st century.

Fuke Zen came to Japan in the 13th century. Komusō belonged to the Fuke sect of Japanese Zen Buddhism. Fuke Zen comes from the teachings of Linji Yixuan, a Zen teacher from China in the 9th century. Fuke, however, is the Japanese name for Puhua, one of Linji's peers and co-founders of his sect. Puhua would walk around ringing a bell to summon others to enlightenment. In Japan, it was thought the shakuhachi could serve this purpose.

Komusō practiced suizen, which is meditation through the meditative blowing of a shakuhachi, as opposed to zazen, which is meditation through quiet sitting as practiced by most Zen followers. Literally meaning "blowing Zen", suizen pieces (known as honkyoku) prioritized precise breathing control as a function of Zen mindfulness and many were designed to be played in time with a monk's footsteps as he marched long distances on pilgrimage. As Fuke Zen increased in popularity through the Sengoku Period, groups of basket-headed komusō playing for hours on street corners or wandering the roadways on pilgrimages became a common sight.

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