Kołysanki
| Kołysanki | ||||
|---|---|---|---|---|
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| Studio album by Lux Occulta | ||||
| Released | March 13, 2014 | |||
| Recorded | 2011–2013 at T'n'T Music Production | |||
| Genre | Electronic rock, free jazz, avant-garde rock/metal, spoken word | |||
| Length | 54:07 | |||
| Language | Polish, French | |||
| Label | Trzecie Ucho | |||
| Producer | Maciej Tomczyk | |||
| Lux Occulta chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Axis of Metal |   |
| The Metal Foundry |  |
| Metal Storm | Positive |
Kołysanki (Polish for "Lullabies") is the fifth studio album by Polish band Lux Occulta. The album was released on March 13, 2014. It is the first album released by the band in 13 years, as well as the first since the ending of the band's hiatus, making it the longest gap between the band's albums.
Kołysanki marks a drastic departure of the band's previous black metal sound in favor of a more experimental electronic rock sound. A reviewer for the webzine Metal Storm described the album's opening track, "Dymy", as having a "heavy synth atmosphere, with very groovy beats and rhythms and vocals that dance between charismatic singing and interesting spoken word." He also praised the song "Samuel wraca do domu" for its "use of sax, double bass, and organ, that sounds more like a jazz piece from the early 1900s than anything else", as well as the song "Karawanem Fiat" for taking a "neoclassical approach with acoustic guitar work that would delight even the most seasoned of flamenco listeners." Thomas Bawden of Axis of Metal described the album as a "musical mindfuck", which feature "track titles in Polish and then prominently featuring electronically sampled French vocal lines", "violin melodies that could almost be described as neo-classical if they weren’t so dissonant, frequently set to a bombastic industrial backing beat", and "psychedelic guitar lines meandering back and forth amidst a nightmarish flurry of almost gypsy folk-inspired accordion lines", as well as jazz melodies that "lend the piece the atmosphere of a 1930s smoke-filled club."
All lyrics written by Jarosław Szubrycht. All music composed by Jerzy Głód, except "Karawanem Fiat" composed by Jerzy Głód, Grzegorz Kapłon, and Piotr Szczurek.
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