Knickerbocker Holiday
| Knickerbocker Holiday | |
|---|---|
| Music | Kurt Weill |
| Lyrics | Maxwell Anderson |
| Book | Maxwell Anderson |
| Basis |
Washington Irving's Father Knickerbocker's Stories |
| Productions | 1938 - 1939 Broadway 1944 Film |
Knickerbocker Holiday is a 1938 musical written by Kurt Weill (music) and Maxwell Anderson (book and lyrics); based loosely on Washington Irving's Father Knickerbocker's Stories about life in 17th-century New Netherland (old New York). The musical numbers include "September Song", now considered a pop standard.
Knickerbocker Holiday is both a romantic comedy and a thinly veiled allegory equating the New Deal of Franklin D. Roosevelt with fascism. (A Roosevelt ancestor is one of the characters on the corrupt New Amsterdam council in the play.) Playwright Anderson believed that government was necessary in society, but that it must always be watched because it is swayed by the self-interests of those in power. He saw FDR's New Deal as an American version of the corporatism and concentration of political power which had given rise to Nazism and Stalinism.
The action is narrated by 19th-century author Washington Irving, who announces his intent to write a history of the original Dutch settlement of New Amsterdam. The story opens in Manhattan in 1647, where the colony awaits the arrival of its new Governor from Holland, Peter Stuyvesant. Irving selects as his hero the young Brom Broeck, a brave but impulsive fellow who becomes enraged if anyone tries to give him orders. The narrator and his character reflect that this independent streak is characteristic of American citizens.
Brom is in love with Tina Tienhoven, whose father heads the corrupt town council. Brom knows that Tienhoven is selling brandy and firearms to the Indians—a criminal offense. Tienhoven, with the support of his cronies, arranges to have Brom convicted and hanged instead. Brom survives by putting the noose around his waist instead of his neck just as Stuyvesant arrives on the scene. Impressed by the young man’s ingenuity, the Governor pardons him.
Stuyvesant plans to marry Tina and to declare war as his first official act of governance. After many mishaps and recriminations, all ends happily when the narrator reminds Stuyvesant that history will not remember him kindly if he persists in his dictatorial actions. Brom and Tina are free to marry, and the musical ends as Stuyvesant reflects that perhaps he will make a good American, given his own independence and resistance to authority.
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