Kismet (1955 film)
| Kismet | |
|---|---|
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Theatrical release poster
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| Directed by | Vincente Minnelli |
| Written by |
Edward Knoblock Charles Lederer |
| Starring |
Howard Keel Ann Blyth Dolores Gray Vic Damone |
| Cinematography | Joseph Ruttenberg |
| Edited by | Adrienne Fazan |
| Distributed by | Metro-Goldwyn-Mayer |
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Release date
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October 8, 1955 |
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Running time
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103 minutes |
| Country | United States |
| Language | English |
| Budget | $3,015,000 |
| Box office | $1,827,000 |
Kismet (1955) is an American musical film in Cinemascope and Eastman Color released by Metro-Goldwyn-Mayer. It is the fourth movie version of Kismet—the first was released in 1920 and the second in 1930 by Warner Brothers—and the second released by MGM. The 1955 film is based on the successful 1953 musical Kismet, while the three earlier versions are based on the original 1911 play by Edward Knoblock.
In old Baghdad, an impoverished poet is abducted and brought to the desert tent of Jawan, an elderly thief, having been mistaken for a man who cursed Jawan fifteen years ago. As a result of the curse, Jawan's beloved son was kidnapped, and Jawan longs to find him again before he dies. The Poet asks for one hundred gold pieces to reverse the curse; Jawan agrees, and returns to Baghdad to look for his son.
In Baghdad, the Poet's daughter, Marsinah meets and falls in love with the young Caliph, who has been traveling incognito. They arrange to meet again that night.
The Poet is arrested when he begins spending his hundred gold pieces because his purse carries the insignia of a wealthy family that was robbed. At the Wazir's court, he defends himself against the charge of robbery, but also curses the Wazir. Jawan, brought before the Wazir on another charge, angrily confirms the Poet's story, and then notices a familiar amulet around the Wazir's neck. In this way, Jawan discovers his long-lost son.
The Caliph announces that he plans to take a bride that night, discomforting the Wazir, who has a badly needed loan riding on persuading the Caliph to marry a princess of Ababu. The Wazir, fearing that the Poet's curse had something to do with it, offers to make the Poet an Emir if he reverses the curse. The Poet happily accepts, and when the Wazir leaves him alone with his favorite wife Lalume, the two realize they have similar temperaments.
The Poet orchestrates an elaborate "curse-reversal" scheme that enables him to sneak out of the palace; he finds Marsinah and convinces her that he will be killed unless they flee Baghdad. Despite Marsinah's protests—she wants to wait for her rendezvous and see the Caliph's wedding procession—they flee. Word spreads that the Caliph's bride was not there when the Caliph came to claim her. Since the "curse reversal" seems to have worked, the Poet leaves Marsinah and returns to the palace.
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