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Kim Hoang painting


Kim Hoàng painting (Vietnamese: Tranh Kim Hoàng) is a genre of Vietnamese woodcut paintings originated from Kim Hoàng village of Hoài Đức, Hanoi, Vietnam. In the past, Kim Hoang painting was a popular element of the Tết holiday, together with Dong Ho and Hang Trong painting, but this tradition was lost in the middle of the 20th century and today several authentic pictures of Kim Hoang painting are found only in museums or fine art galleries. However, the art of making Kim Hoang painting is still considered a symbol of traditional culture and aesthetic value of Vietnam.

Produced in the countryside as Dong Ho painting, pictures of Kim Hoang share many common themes with ones of Dong Ho such as everyday activities, animals and sprititual signs. The distinct feature of Kim Hoang painting is several lines of poem written in form of chữ thảo at the left corner of the painting, the content of those lines along with the illustration help emphasize the meaning of the picture. The popular examples of Kim Hoang painting are Gà độc (Cockerel) and Lợn độc (Pig).

The woodcuts of Kim Hoang village are more delicate and detailed than ones of Dong Ho village, they are used to print in sheets of paper which are dyed beforehand with red or yellow colours, the red ones are called giấy hồng điều (scarlet paper) and the yellow ones is giấy vàng tầu (Chinese yellow paper). The colours used in making Kim Hoang painting are obtained from black Chinese ink and other natural materials such as white gypsum, red vermilion and yellow gardenia. To strengthen the durability of the colours, the craftsmen often mixed colour paints with glue extracted from buffalo skin. Like the production of Hang Trong painting, Kim Hoang craftsmen only used the woodblocks to create the black outlines and then drew and coloured details by their own hands. For this reason, pictures of a subject, although outlined by the same woodcut, are slightly different from one to another, thus they becomes more valuable and attractive to customers.


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