Killing Me Softly with Her Song (album)
| Killing Me Softly with Her Song | ||||
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| Studio album by Johnny Mathis | ||||
| Released | May 25, 1973 | |||
| Recorded | 1973 at Larrabee Sound, Los Angeles, California |
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| Length | 39:49 | |||
| Label | Columbia | |||
| Producer | Jerry Fuller | |||
| Johnny Mathis chronology | ||||
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Billboard | positive |
Killing Me Softly with Her Song is an album by American pop singer Johnny Mathis that was released on May 25, 1973 by Columbia Records and leaned heavily on covers of the latest radio favorites.
The album made its first appearance on Billboard magazine's Top LP's & Tapes chart in the issue dated June 30, 1973, and remained there for seven weeks, peaking at number 120.
One of the two original songs on the album, "Show and Tell", began a three-week run on Billboard's Easy Listening chart in that year's May 12 issue and peaked at number 36. The other, "Arianne", reached number 24 on that same chart in 1977 during a nine-week stay that began in the July 23 issue.
William Ruhlmann of AllMusic described the place of this album within the Easy Listening genre in his review. "The early 1970s was a tough time for established ballad singers, but Johnny Mathis, who was younger than his peers and Columbia Records labelmates like Tony Bennett and Andy Williams, weathered the lean times better than most. Some of the reasons why are suggested in this 1973 album. It wasn't a big seller by any means, but this enjoyable, contemporary-sounding set made the charts." He also points out that "unlike Bennett, who had [left] Columbia the year before, Mathis had no resistance to contemporary material; he sounded fine singing it. And though he had never had much of an impact in the R&B market, he was an African-American who could handle the Stylistics and Gladys Knight songs credibly, substituting his trademark tremulousness for their more soulful approach. At the same time, he could match both Perry Como and newer soft-rock stars like Bread and the Carpenters."
At the time of the album's release, Billboard also had good things to say. "If you believe in masterpieces, then this LP qualifies." Already aware of the plans for his subsequent album, I'm Coming Home, which focused on new material, the magazine prematurely declared this as the end of his cover album phase. "Although Mathis is now on a path to record original songs, this last in his series of covering tunes is a totally rewarding listening experience." (Mathis would continue to record albums that included a varying number of current hit songs by other artists until the late 1970s.) The magazine was quite impressed with this project. "Mathis may have been recording for 17 years, but this newest work is magical. His clean, sweetly flowing voice is married perfectly to so many fine and outstanding songs that one wonders why they weren't presented to him in the first place. He makes them all come alive." They also appreciated the arrangements here. "There is a fine, gossamer feeling to D'Arneill Pershing's charts which makes the music more than merely commercially romantic."
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Wikipedia