Kevin Fowler | |
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Background information | |
Origin | Amarillo, Texas, United States |
Genres | Country |
Occupation(s) | Singer-songwriter |
Instruments | Vocals, guitar, piano |
Years active | 2000–present |
Labels | Tin Roof Equity Super Loud Lyric Street Average Joe's Entertainment |
Associated acts |
Mark Chesnutt Montgomery Gentry Dangerous Toys |
Website | http://www.kevinfowler.com |
Kevin Fowler (born in Amarillo, Texas) is an American singer-songwriter. He has released five studio albums, and has charted four singles on the Billboard Hot Country Songs charts, including the top 40 hit "Pound Sign (#?*!)". In addition, he wrote Sammy Kershaw's 2003 single "Beer, Bait & Ammo", Mark Chesnutt's 2004 single "The Lord Loves the Drinkin' Man" and Montgomery Gentry's 2009 single "Long Line of Losers".
Fowler was the younger of two children. His father introduced him to country music when he was a child, and as a teenager Fowler also developed a liking for rock music.
He graduated in 1984 from Tascosa High School in Amarillo.
Long interested in making music, Fowler began piano lessons as a young child. When he was twenty, he realized that he wanted to seriously pursue a career in music and moved to Los Angeles, California, to attend the Guitar Institute of Technology. For the next year, he learned how to play the guitar and began writing songs.
After gaining a good knowledge of the guitar, Fowler left L.A. for Austin, Texas. He was a guitarist with the rock band Dangerous Toys in the early 1990s, but left to form his own Southern hard-rock band, Thunderfoot. In 1998, he left rock music all together to form a new band that would concentrate instead on Texas country music. Fowler and his new band earned themselves a weekly gig at Babe's on Sixth Street in Austin. Two years later, with no recording contracts, Fowler recorded and released his own debut album, Beer, Bait & Ammo. This album sold over 30,000 copies in Texas, with the title track receiving a great deal of airplay. This song was popular enough that Mark Chesnutt began playing it in his live show, and Sammy Kershaw recorded it for one of his own albums.