Kelly Cherry
| Kelly Cherry | |
|---|---|
 |
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| Born | Kelly Cherry 21 December 1940 Baton Rouge, Louisiana, US |
| Occupation | Poet, author, essayist |
| Nationality | United States |
| Alma mater |
University of Mary Washington University of Virginia University of North Carolina at Greensboro |
| Notable works |
Twelve Women in a Country Called America: Stories A Kind of Dream Girl in a Library: On Women Writers & the Writing Life Hazard and Prospect: New and Selected Poems The Retreats of Thought |
| Notable awards | Poet Laureate of Virginia (2010–12) |
| Spouse | Burke Davis III |
Kelly Cherry (born December 21, 1940) is an award winning novelist, poet, essayist, and the former Poet Laureate of Virginia (2010–2012). A resident of Halifax, Virginia, she was named the state's Poet Laureate by Governor Bob McDonnell in July 2010. She succeeded Claudia Emerson in this post (Poet Laureate of Virginia, 2008–2010).
Award-winning poet and novelist Kelly Cherry is concerned with philosophy; with, as she explains it, "the becoming-aware of abstraction in real life--since, in order to abstract, you must have something to abstract from." Within her novels, the abstract notions of morality become her focus: "My novels deal with moral dilemmas and the shapes they create as they reveal themselves in time," she once told CA. "My poems seek out the most suitable temporal or kinetic structure for a given emotion." Writing in the Dictionary of Literary Biography Yearbook: 1983 on Cherry's fiction, Mark Harris concluded that "she manages to capture, in very readable stories, the indecisiveness and mute desperation of life in the twentieth century."
From the beginning of her career, Cherry has written both formal verse and free verse. According to the citation preceding her receipt of the James G. Hanes Poetry Prize by the Fellowship of Southern Writers in 1989, "Her poetry is marked by a firm intellectual passion, a reverent desire to possess the genuine thought of our century, historical, philosophical, and scientific, and a species of powerful ironic wit which is allied to rare good humor." Reviewing Relativity, Patricia Goedicke noted in Three Rivers Poetry Journal that "her familiarity with the demands and pressures of traditional patterns has resulted...in an expansion and deepening of her poetic resources, a carefully textured over- and underlay of image, meaning and diction." Mark Harris felt that Cherry's "ability to sustain a narrative by clustering and repeating images [lends] itself to longer forms, and 'A Bird's Eye View of Einstein,' the longest poem in [Relativity], is an example of Cherry at her poetic best." Reviewing Cherry's collection, Death and Transfiguration, Patricia Gabilondo wrote in The Anglican Theological Review that "the abstract prose poem 'Requiem' that closes this book...translates personal loss into the historical and universal, providing an occasion for philosophical meditation on the mystery of suffering and the need for transcendence in a post-Holocaust world that seems to offer none. Moving through the terrors of nihilism and doubt, Cherry, in a poem that deftly alternates between the philosophically abstract and the image's graphic force, gives us an intellectually honest and deeply moving vision of our relation to each other's suffering and of God's relation to humanity's 'memory of pain'."
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