Keezhpadam Kumaran Nair (1916–2007) was a Kathakali artists from Kerala, India. Endowed with a life profile that also exposed him to several traditional Indian performing arts other than Kathakali, his stage presentation infused a fresh breath into the four-century-old art form, thanks also to his broad and deep view about the Puranas (Indian mythology) that spurred from a constant pursuit of knowledge through reading books and engaging in talks in scholars.
Kumaran Nair was one of the very few Kathakali artists to have had directly interacted with allied art forms like Bharatanatyam from south India and Kathak from the north of his country besides also Odissi from the eastern belt. This was besides a brush he had with Tamil cinema in his youthful days in Madras (Chennai). All these never conspired to shed the element of classicism in Kumaran Nair's Kathakali performances, instead helped his acting-dancing techniques acquire a certain grand eclecticism that won him fans across Kerala and elsewhere. In short, Kumaran Nair's style was a mix of intellect, imagination and signature body language that took care not to breach or dilute the pure grammar of Kathakali all the same.
A native of Vellinezhi, one of Kathakali's nerve-centres in Palakkad district, Kumaran Nair was primarily groomed—from as early as the age of five—in the highly evolved Kalluvazhi style by none other than its grand master, Pattikkamthodi Ravunni Menon. His classmates at Kerala Kalamandalam included the legendary Kalamandalam Krishnan Nair (1914–1990), but on completion of his studies found the conditions in Kerala not exactly promising a bright future for him as a Kathakali artiste.
Much to the sorrow of his guru Pattikkamthodi, Kumaran Nair shifted base to Madras, where he gained name a master of choreography by teaching dance (for songs) to Tamil cine star Ranjan. During this span, Kumaran Nair also worked closely with the film icon M.G. Ramachandran, who later switched over to politics and became the state's chief minister.