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Katcheri


A katcheri is an assembly of musicians and audience in the context of Carnatic music or Karnatick music. It is presented in the concert format. The music fraternity of connoisseurs and common people assemble at the katcheri venues to listen to classical music concerts of vidwans. Etymologically the word "katcheri" is derived from Urdu language and in Hindi to mean a court of law.

Vocalist Ariyakudi Ramanuja Iyengar (1890–1967) established the modern katcheri (concert) traditions in Carnatic music. Among the women artists, M.L. Vasanthakumari and D.K. Pattammal pioneered the promotion of kutcheri culture. Among the most notable woman vocalist the first woman artist to be receive the highest civilian award of Bharat Ratna in 1998 was M. S. Subbulakshmi (1916–2004); she had started her career in music with her first katcheri when she was 15 years old which was then a big hit among the audience and music critics.

The word katcheri used in the context of Karnatik music concert has its origin also as the Hindi language word "kachehri". Its adoption to connote the Karnatik music is traced to its initial meaning as a court, a government office where people gather. During the Maratha rule (1670–1800) in Tanjavur of present-day Tamil Nadu, it was probably adopted in the lexicon of Karnatik music, as, during this period, it was the durbar of the king. It was not a separate or remote place, but a hall, a venue where people were given an audience by the king to dispense with matters of the state. It also happened to be the place where people from all walks of life presented their "aspirations and concerns" before the king. It was at this place that musicians presented their musical achievements before the kings. It is this commonality of events at the same venue as the court or durbar that the Karnatik musical soirees presented by musicians of repute came to be termed as the Kutcheri. This, over the last more than a century, has not only literally known to represent a venue but also signifies a select gathering connoting the cultural significance of Karnatik music. This is the origin of concept of musical concerts which has dominated the music scenario of southern India.


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