Karl Shapiro
| Karl Shapiro | |
|---|---|
 |
|
| Born |
November 10, 1913 Baltimore, Maryland, U.S. |
| Died | May 14, 2000 (aged 86) New York City, New York, U.S. |
| Occupation | Poet, essayist |
| Nationality | United States |
| Alma mater |
University of Virginia Johns Hopkins University |
| Notable awards |
Pulitzer Prize for Poetry (1945) Bollingen Prize in Poetry (1969) |
| Spouse | Evalyn Katz (1945–1967) Teri Kovach (m. 1967) Sophie Wilkins(m.1990) |
Karl Jay Shapiro (November 10, 1913 – May 14, 2000) was an American poet. He was appointed the fifth Poet Laureate Consultant in Poetry to the Library of Congress in 1946.
Karl Shapiro was born in Baltimore, Maryland and graduated from the Baltimore City College high school. He attended the University of Virginia before World War II, and immortalized it in a scathing poem called "University", which noted that "to hate the Negro and avoid the Jew is the curriculum". He did not return after his military service.
Shapiro wrote poetry in the Pacific Theater while he served there during World War II. His collection V-Letter and Other Poems, written while Shapiro was stationed in New Guinea, was awarded the Pulitzer Prize for Poetry in 1945, while Shapiro was still in the military. Shapiro was American Poet Laureate in 1946 and 1947. (At the time this title was Consultant in Poetry to the Library of Congress which was changed by Congress in 1985 to Poet Laureate Consultant in Poetry to the Library of Congress.)
Poems from his earlier books display a mastery of formal verse with a modern sensibility that viewed such topics as automobiles, house flies, and drug stores as worthy of attention. In 1963, the poet/critic Randall Jarrell praised Shapiro's work:
Karl Shapiro's poems are fresh and young and rash and live; their hard clear outlines, their flat bold colors create a world like that of a knowing and skillful neoprimitive painting, without any of the confusion or profundity of atmosphere, of aerial perspective, but with notable visual and satiric force. The poet early perfected a style, derived from Auden but decidedly individual, which he has not developed in later life but has temporarily replaced with the clear Rilke-like rhetoric of his Adam and Eve poems, the frankly Whitmanesque convolutions of his latest work. His best poem--poems like "The Leg", "Waitress", "Scyros", "Going to School", "Cadillac"--have a real precision, a memorable exactness of realization, yet they plainly come out of life's raw hubbub, out of the disgraceful foundations, the exciting and disgraceful surfaces of existence.
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