Kai Winding
| Kai Winding | |
|---|---|
Winding in New York, c. January 1947
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| Background information | |
| Birth name | Kai Chresten Winding |
| Born |
May 18, 1922 Aarhus, Denmark |
| Died | May 6, 1983 (aged 60) New York City, New York, United States |
| Genres | Jazz |
| Occupation(s) | Musician, composer |
| Instruments | Trombone |
| Years active | 1940–1983 |
| Associated acts | J. J. Johnson, Paul Chambers, Benny Goodman |
Kai Chresten Winding (May 18, 1922 – May 6, 1983) was a Danish-born American trombonist and jazz composer. He is well known for a successful collaboration with fellow trombonist J. J. Johnson.
Winding was born May 18, 1922 in Aarhus, Denmark. His family emigrated in 1934 to the United States. He graduated in 1940 from Stuyvesant High School in New York City and that same year began his career as a professional trombonist with Shorty Allen's band. Subsequently, he played with Sonny Dunham and Alvino Rey until he entered the United States Coast Guard during World War II.
After the war, Winding joined Benny Goodman's band, and later moved on to Stan Kenton's orchestra. Winding participated in the first of the Birth of the Cool sessions in 1949, appearing on 4 of the 12 tracks (while J. J. Johnson appears on the other eight, having participated on the other two sessions). In 1954, at the urging of producer Ozzie Cadena, he joined forces with Johnson to produce a highly successful series of trombone duet recordings, which were initially on Savoy Records and then on the Columbia Records label. While at Columbia, Winding experimented with different instrumentation in brass ensembles: the 1956 album Jay & Kai + 6 features a trombone octet, as well as Winding and Johnson performing on the trombone-like valved horn called the trombonium. Winding also arranged and/or composed many of the tracks he and Johnson recorded. Unlike most players who absorbed the "bebop" style, Winding notably used more overtly trombonistic slide and mute effects from the earlier eras of jazz, as had another former Goodman trombonist Bill Harris, sounds which Johnson studiously avoided.
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