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Julius Caesar Ibbetson

Julius C. Ibbetson
Julius Caesar Ibbetson by Julius Caesar Ibbetson lowres color.jpg
Selfportrait of Julius Caesar Ibbetson, 1804
Born 29 December 1759
Died 13 October 1817

Julius Caesar Ibbetson (29 December 1759 – 13 October 1817) was a British 18th-century landscape and watercolour painter.

Ibbetson was born at Farnley Moor, Leeds. He was the second child of Richard Ibbetson, a clothier from Yorkshire. According to his Memoir, his mother fell on the ice and went into labor prematurely, causing him to be delivered by caesarean section and resulting in a middle name he attempted to hide throughout his life. Ibbetson was probably educated in a local Moravian community and then by Quakers in Leeds. According to James Mitchell in the Oxford Dictionary of National Biography, the "unusual thoroughness" of his education "is reflected in the fluent prose, both of his published painting manuals and of his regular, often entertaining, and rewarding correspondence with patrons". Ibbetson was apprenticed to John Fletcher, a ship painter in Hull, from 1772 to 1777. He then moved to London, where for the next ten years he was primarily a picture restorer for a Clarke of Leicester Fields. In 1782 wrote an account of his life and sent it to the artist Benjamin West which was transcribed by Joseph Farington in 1805. Around 1780, Ibbetson married his first wife, Elizabeth.

In 1785, Ibbetson began exhibiting at the Royal Academy with View of North Fleet. Mitchell calls George Biggin (1783), which is one of Ibbetson's earliest known works, "an accomplished full-length portrait in the Gainsborough tradition, [which] should be considered as a milestone in the development of an artist who was entirely self-taught". Through the efforts of Captain William Baillie in 1787, Ibbetson was made draughtsman to Colonel Charles Cathcart on the first British embassy to Peking (Beijing); he made many watercolor drawings of the animals and plants on the journey. While he was away, his Ascent of George Biggin, esq. from St. George's Fields, June 29th 1785 was exhibited at the Royal Academy to great critical and popular acclaim.


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