Julian Barnes
| Julian Barnes | |
|---|---|
| Born | Julian Patrick Barnes 19 January 1946 Leicester, England |
| Pen name | Dan Kavanagh (crime fiction), Edward Pygge |
| Occupation | Writer |
| Nationality | English |
| Alma mater | Magdalen College, Oxford |
| Genre | Novels, short stories, essays, memoirs |
| Literary movement | Postmodernism |
| Notable awards |
Prix Femina 1992 Commandeur of L'Ordre des Arts et des Lettres 2004 Man Booker Prize 2011 |
| Website | |
| www |
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Julian Patrick Barnes (born 19 January 1946) is an English writer. Barnes won the Man Booker Prize for his book The Sense of an Ending (2011), and three of his earlier books had been shortlisted for the Booker Prize: Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005). He has also written crime fiction under the pseudonym Dan Kavanagh. In addition to novels, Barnes has published collections of essays and short stories.
In 2004 he became a Commandeur of L'Ordre des Arts et des Lettres. His honours also include the Somerset Maugham Award and the Geoffrey Faber Memorial Prize.
Barnes was born in Leicester, although his family moved to the outer suburbs of London six weeks afterwards. Both of his parents were teachers of French. He has said that his support for Leicester City Football Club was, aged four or five, "a sentimental way of hanging on" to his home city. He was educated at the City of London School from 1957 to 1964. At the age of 10, Barnes was told by his mother that he had "too much imagination". In 1956 the family moved to Northwood, Middlesex, the 'Metroland' of his first novel. He then went on to Magdalen College, Oxford, where he studied Modern Languages. After graduation, he worked as a lexicographer for the Oxford English Dictionary supplement for three years. He then worked as a reviewer and literary editor for the New Statesman and the New Review. During his time at the New Statesman, Barnes suffered from debilitating shyness, saying: "When there were weekly meetings I would be paralysed into silence, and was thought of as the mute member of staff". From 1979 to 1986 he worked as a television critic, first for the New Statesman and then for The Observer.
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