Julia Phillips | |
---|---|
Born |
Julia Miller April 7, 1944 New York City, New York, U.S. |
Died | January 1, 2002 West Hollywood, California, U.S. |
(aged 57)
Occupation | Film producer, author |
Spouse(s) | Michael Phillips (1966–74) |
Children | Kate Phillips-Wiczyk |
Parent(s) | Tanya and Adolph Miller |
Julia Phillips (April 7, 1944 – January 1, 2002) was an American film producer and author. She co-produced with her husband, Michael (and others), three prominent films of the 1970s — The Sting, Taxi Driver, and Close Encounters of the Third Kind — and was the first female producer to win an Academy Award for Best Picture, for The Sting.
In 1991, Phillips published an infamous tell-all memoir of her years as a Hollywood producer, entitled You'll Never Eat Lunch in This Town Again, which became a bestseller.
Born Julia Miller to a Jewish family in New York City, the daughter of Tanya and Adolph Miller. Her father was a chemical engineer who worked on the atomic bomb project; her mother was a writer who became addicted to prescription drugs. She grew up in Brooklyn, Great Neck, New York, and Milwaukee. In 1965, she received a bachelor's degree in political science from Mount Holyoke College and in 1966, she married Michael Phillips. After school, she worked as book section editor at the Ladies' Home Journal and then as a story editor for Paramount Pictures. In 1971, after her husband had an unsuccessful career as a stockbroker, the couple moved to California where her husband wanted to get into film production. His first production was the 1973 film Steelyard Blues with Jane Fonda and Donald Sutherland.
In 1972, Phillips along with her husband, Michael Phillips, and producer Tony Bill purchased the rights to the screenplay, The Sting for $5,000 in total. In 1973, The Sting won the Academy Award for Best Picture and made Phillips the first woman to win an Oscar as a producer (an award shared by Tony Bill and Phillips' then-husband Michael Phillips). In 1977, Taxi Driver, produced by the Phillipses, was nominated for Best Picture. Her third major film, Close Encounters of the Third Kind, was produced with Michael Phillips and associate producer/production manager Clark Paylow. One of the film's stars, François Truffaut, publicly criticized Phillips as incompetent, a charge she rejected, writing that she had essentially nursed Truffaut through his self-created nightmare of implied hearing loss, sickness and chaos during the production. Phillips was also a notorious drug user (cocaine especially), which she herself chronicled in detail in her memoirs. The side-effects of cocaine addiction caused her to be fired from Close Encounters of the Third Kind during post-production. Periods of drug abuse, gratuitous spending, and damaging boyfriends took their toll over the next several years before the publication of her first memoir.