Julia Kasdorf

Julia Mae Spicher Kasdorf (born December 6, 1962) is an American poet.

Julia Spicher Kasdorf is the author of three poetry collections--Sleeping Preacher (1992), Eve's Striptease (1998), and Poetry in America (2011)--all published by the University of Pittsburgh Press. Sleeping Preacher won the Agnes Lynch Starrett Poetry Prize and the Great Lakes College’s Association Award for New Writing, and Eve's Striptease was named one of the top 20 poetry books of 1998 by Library Journal. She also co-edited an anthology, Broken Land: Poems of Brooklyn, with Michael Tyrell (New York University Press, 2007). Spicher Kasdorf was awarded a 2009 NEA fellowship for poetry and is the recipient of a Pushcart Prize. She is also the author of a scholarly study of Pennsylvania writer Joseph W. Yoder, Fixing Tradition, and co-editor of two editions of Pennsylvania local color novels, Rosanna of the Amish by Joseph W. Yoder and The House of the Black Ring by Fred Lewis Pattee. Her essay collection, The Body and the Book: Writing a Mennonite Life, was awarded the Book of the Year award by the Conference on Christianity and Literature. She is Associate Professor of English and Women's Studies at the Pennsylvania State University.

In The Body and the Book, Spicher Kasdorf explores the cultural and geographical inspiration for her writing in her Mennonite and Amish communities of origin, as well as in New York City where she studied creative writing and published her first book. In her essay, "A Place to Begin," she comments, "I liked being able to think in the free space between places . . . As poetry's power often comes from linking two unlike things to release new insight, so my life has been charged by the experience of embodying a connection between disparate locations" (p. 8).

Julia Kasdorf was often criticized because she was one of the few Mennonite poets that expressed her encounters publicly. She was one of the first Mennonite poets to cross the boundaries of writers and express encounters that she experienced as a child. For example, in Julia Kasdorf’s Eve’s Striptease “Sinning” She states, “” When I was seven, Mom asked if I knew what rabbits in the hutch were up to. “Fucking” farm cousins told me long before. “We call it intercourse” she said and began the cautionary tales right then.”” This is an example of how Kasdorf’s attitude being a Mennonite poet was completely different toward the public. Mennonites consider themselves a closed community which meant that they do not express or associate their personal/ community issues to any outside person(s). They like to keep any or all personal issues within their environment. However, in Kasdorf’s case she took the initiative to not only express personal issues of Mennonites but to publish them and become an award winning poet for her courageous acts and writing. She covered many topics that you would not expect to read about from a Mennonite poet such as desires, marriage, domestic life, and personal encounters she had with other Mennonites whether it was in her hometown or on her journey to becoming a writer.

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