Pierre Ernest Jules Brulatour (April 7, 1870 – October 26, 1946) was a pioneering executive figure in American silent cinema. Beginning as American distribution representative for Lumiere Brothers raw film stock in 1907, he joined producer Carl Laemmle in forming the Motion Picture Distributing and Sales Company in 1909, effectively weakening the stronghold of the Motion Picture Patents Company, headed by Thomas Edison, a large trust company that was then monopolizing the American film industry through contracts with hand-picked, established studios. By 1911 Brulatour was president of the Sales Company.
Through the Sales Company, the growing number of independent filmmakers were able to obtain raw stock from Lumiere, for which Jules Brulatour remained sole US distributor, thereby cutting into profits for Kodak mogul George Eastman, whose film supply was exclusive to the Patents Company. Eastman soon realized he was on the losing side and approached Brulatour with a contract to sell his stock to the independents through the Sales Company. Brulatour accepted and his long association as head of distribution for Eastman Kodak began.
In addition to his position with Kodak and his presidency of the Sales Company, Jules Brulatour launched the Animated Weekly newsreel series and co-founded Peerless Pictures. He was also an advisor and producer for the French-based Eclair Film Company, which opened in 1911 an extensive, state-of-the-art studio at Fort Lee, New Jersey, then the center of the burgeoning American movie industry. Eclair was a leader in technical and artistic advancements afoot in filmmaking at the time, and its American branch was hailed as a mecca for top talent, which Brulatour helped cultivate. In fact, its first leading lady, Dorothy Gibson, already well known as a model for leading illustrator Harrison Fisher, not only became a big star in Eclair vehicles but she landed the married Brulatour as a boyfriend.