Juke joint (or jook joint) is the vernacular term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern United States. The term "juke" is believed to derive from the Gullah word joog or jug, meaning rowdy or disorderly. A juke joint may also be called a "barrelhouse".
Classic juke joints found, for example, at rural crossroads, catered to the rural work force that began to emerge after the emancipation. Plantation workers and sharecroppers needed a place to relax and socialize following a hard week, particularly since they were barred from most white establishments by Jim Crow laws. Set up on the outskirts of town, often in ramshackle buildings or private houses, juke joints offered food, drink, dancing and gambling for weary workers. Owners made extra money selling groceries or moonshine to patrons, or providing cheap room and board.
The origins of juke joints may be the community rooms that were occasionally built on plantations to provide a place for blacks to socialize during slavery. This practice spread to the work camps such as sawmills, turpentine camps and lumber companies in the early twentieth century, which built barrel-houses and chock-houses to be used for drinking and gambling. Although uncommon in populated areas, such places were often seen as necessary to attract workers to sparsely populated areas lacking bars and other social outlets. As well, much like "on-base" Officer's Clubs, such "Company"-owned joints allowed managers to keep an eye on their underlings; it also ensured that the employees' pay was coming back to the Company. Constructed simply like a field hand's "shotgun"-style dwelling, these may have been the first juke joints. During the prohibition in the United States it became common to see squalid independent juke joints at highway crossings and railroad stops. These were almost never called "juke joint"; but rather were named such as "Lone Star" or "Colored Cafe". They were often open only on weekends. Juke joints may represent the first "private space" for blacks. Paul Oliver writes that juke joints were "the last retreat, the final bastion for black people who want to get away from whites, and the pressures of the day."