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Judy Chicago

Judy Chicago
Chicago china.jpg
Chicago at work in her china-painting studio, 1974.
Born Judith Sylvia Cohen
(1939-07-20) July 20, 1939 (age 77)
Chicago, Illinois, U.S.
Known for Installation
Painting
Sculpture
Notable work The Dinner Party
The Birth Project
Powerplay
The Holocaust Project
Movement Contemporary
Feminist art
Awards Tamarind Fellowship, 1972
Patron(s) Holly Harp
Elizabeth A. Sackler

Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces, which examine the role of women in history and culture. Born in Chicago, Illinois, she changed her name after the deaths of both her father and her first husband, choosing to disconnect from the idea of male dominated naming conventions. By the 1970s, Chicago had coined the term "feminist art" and had founded the first feminist art program in the United States. Chicago's work incorporates stereotypical women's artistic skills, such as needlework, counterbalanced with stereotypical male skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

Judy Chicago was born Judith Sylvia Cohen in 1939, to Arthur and May Cohen, in Chicago, Illinois. Her father came from a twenty-three generation lineage of rabbis, including the Vilna Gaon. Unlike his family predecessors, Arthur became a labor organizer and a Marxist. He worked nights at a post office and took care of Chicago during the day, while May, who was a former dancer, worked as a medical secretary. Arthur's active participation in the American Communist Party, liberal views towards women and support of worker's rights strongly influenced Chicago's ways of thinking and belief. During McCarthyism era in the 1950s, Arthur was investigated, which made it difficult for him to find work and caused the family much turmoil. In 1945, while Chicago was alone at home with her infant brother, Ben, an FBI agent visited their house. The agent began to ask the six-year-old Chicago questions about her father and his friends, but the agent was interrupted upon the return of May to the house. Arthur's health declined, and he died in 1953 from peritonitis. May would not discuss his death with her children and did not allow them to attend the funeral. Chicago did not come to terms with his death until she was an adult; in the early 1960s she was hospitalized for almost a month with a bleeding ulcer attributed to unresolved grief.


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