Judee Sill (album)
| Judee Sill | ||||
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| Studio album by Judee Sill | ||||
| Released | September 15, 1971 | |||
| Recorded | 1969-71 | |||
| Genre | Folk rock | |||
| Length | 32:55 | |||
| Label | Asylum Records | |||
| Producer |
Henry Lewy John Beck Jim Pons Graham Nash |
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| Judee Sill chronology | ||||
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| Singles from Judee Sill | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Pitchfork | (8.7/10) |
Judee Sill is the eponymous debut album by the American singer-songwriter and musician Judee Sill. Released on September 15, 1971, it was the first album on David Geffen's Asylum label. Backing musicians include John Beck and Jim Pons from the Leaves. While the majority of the album was produced by Henry Lewy, Graham Nash handled the duties for the single "Jesus Was a Cross Maker", with his production designed to aim for radio airplay.
Sill had played piano since her childhood, and honed her skills at reform school in the early 1960s where she was sent for forging checks. After a drugs bust, Sill spent time in jail where she kicked her heroin addiction and made a promise to pursue a songwriting career.
The songs that appear on Judee Sill were mostly composed in 1969–71. In 1969, Sill was hired by the Turtles to write songs for $35 a week for their publishing company, Blimp Music. The earliest of these are "Lady-O," which was recorded by the band, "Crayon Angels," "My Man on Love," "Lopin' Along Thru the Cosmos," "Enchanted Sky Machines," and "Abracadabra."
The latest additions to the album were "The Archetypal Man," "Ridge Rider," and the single "Jesus was a Cross Maker." Originally, two other new songs, "The Pearl" and "The Phoenix," were slated for inclusion, but were removed from the track list to make room for "Jesus was a Cross Maker." They were re-recorded and appeared on Sill's second album, Heart Food, in 1973.
Musically, the songs are delivered in an acoustic style on guitar and, for "Jesus was a Cross Maker" and "Enchanted Sky Machines," piano. The songs, after work by Sill and Lewy, feature elements of folk, country, and gospel, but also a strong classical influences. Two of Sill's biggest influences were Bach and Ray Charles. Lyrically, Sill's songs follow a theme of finding redemption.
Sill began touring as an opening act in late 1970, a year before the release of Judee Sill. Her first major tour was with Crosby & Nash, and she also opened for Cat Stevens, Gordon Lightfoot and Tom Paxton. A full opening-act performance, recorded on October 3, 1971, in Boston in support of Crosby & Nash, appears on the Rhino reissue of Judee Sill. The set was recorded two days after the release of the "Jesus was a Cross Maker" single.
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