Juan Morel Campos
| Juan Morel Campos | |
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Juan Morel Campos, Founder of the Ponce Municipal Band
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| Background information | |
| Born | May 16, 1857 |
| Origin | Ponce, Puerto Rico |
| Died | May 12, 1896 Ponce, Puerto Rico |
| Genres | danza |
| Occupation(s) | Composer, Founder of the Ponce Municipal Band |
 You may listen to Luciano Quiñones piano interpretation of Morel Campos' "No me toques" here
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Juan Morel Campos (May 16, 1857 – May 12, 1896), sometimes erroneously spelled Juan Morell Campos, was a Puerto Rican composer, considered by many to be responsible for taking the genre of danza to its highest level. He composed over 550 musical works before he died unexpectedly at age 38.
Morel Campos (birth name: Juan Nepomuceno Morel Campos) was born in Ponce, Puerto Rico, to Manuel Morel Araujo, from the Dominican Republic, and Juana de Dios Campos Collazo, from Venezuela. He began to study music at the young age of eight in his hometown under the guidance of Antonio Egipciaco. Morel Campos was a student of Puerto Rican composer and pianist Gonzalo de J. Núñez (1850 - 1915), whose students also included the internationally-known musicians and composers Manuel Gregorio Tavárez and Arístides Chavier Arévalo. Morel Campos learned to play practically every brass instrument and eventually became one of the founders and directors of the "Ponce Firemen's Band" (La Banda de Bomberos del Parque de Bombas de Ponce). The legendary Band was later renamed the Ponce Municipal Band.
Later, Morel Campos became a student of the composer Manuel Gregorio Tavárez, "The Father of the Danza". Campos' first danza composition was called "Sopapos". The influence of Tavárez, plus the particular style developed by Morel Campos can be listened to in his music today.
Morel Campos had his own dance orchestra, "La Lira Ponceña." Most of his danzas were written for dancing. He modified his compositions so that they may also be played on piano. Morel Campos is best known for his danza compositions, but he also composed waltzes, operas, symphonies, marches and overtures.
Women and the theme of love inspired most of his musical compositions. His great love was a lady named Mercedes Arias, but her family did not approve of their relationship. It was from that frustrated "love" that many of Morel Campos' beautiful danzas were born, "Maldito Amor" (Damned Love) is an example. Among his best-known compositions are "Felices Dias' (Happy Days), "No Me Toques" (Do Not Touch Me), "Idilio," and "Maldito Amor" (Damned Love).
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