Joseph Légaré

Joseph Légaré (March 10, 1795 – June 21, 1855) was a painter and glazier, artist, seigneur and political figure in Lower Canada.

The eldest son in a family of six children, Joseph Légaré was born in Quebec City, the son of a cobbler also called Joseph and Louise Routier, and was educated at the Petit Séminaire de Québec. The financial success of his father as a business man was augmented by extra loans he made and properties rented out. The family became relatively wealthy as a result. The young Joseph spent three years of study at the Seminaire de Quebec but he discontinued his studies in July 1811. On 19 May 1812 he was apprenticed as a painter and glazier with Moses Pierce. Joseph Légaré died at 60

On 21 April 1818 Légaré married Geneviève Damien. He owned part of the fief of Saint-François from 1827 to 1841. A self-taught artist, he began painting reproductions of European religious works and later produced his own paintings, receiving a medal from the Société pour l’Encouragement des Sciences et des Arts en Canada in 1828. He was the first landscape artist of French-Canadian origin. In 1833, Légaré opened his own gallery in Quebec City, the first art gallery in Canada; it closed two years later. In 1838, he opened another gallery in partnership with lawyer Thomas Amiot. Légaré served as a member of the municipal council for the city and the board of health; he also served as a justice of the peace. In 1842 he helped found the Saint-Jean-Baptiste Society at Quebec and gathered signatures for a petition in support of the Ninety-Two Resolutions. Légaré was an unsuccessful candidate for a seat in the legislative assembly in 1848 and 1850.

On the municipal and provincial levels, Légaré's political engagement did not preclude an active role within the cultural life of his time. His activities both as collector and propagandist for art qualify him not merely as a pioneer but as one of the "very first connoisseurs". The "Desjardins Collection" had an enormous influence on his career and he purchased thirty of the works using a loan provided by his father in July 1819. These thirty works formed the nucleus of his collection. The majority of his later acquisitions came through Johan Christopher Reiffenstein and G.D. Balzaretti, two Quebec merchants.

...
Wikipedia