José Guerrero (artist)
| José Guerrero | |
|---|---|
| Born |
October 29, 1914 Granada |
| Died | December 23, 1991 (aged 77) Barcelona |
| Nationality | Spanish |
| Movement | Abstract expressionism |
José Guerrero (October 29, 1914, Granada – December 23, 1991, Barcelona) was a Spanish artist, especially known for his abstract expressionist paintings, who spent much of his working life in U.S.A.
From 1930 to 1934, Guerrero attended art classes at the Escuela de Artes y Oficios, Granada. In 1940, on the advice of his friend Federico García Lorca, he moved to Madrid, where he continued his studies until 1945 at the Escuela Superior de Bellas Artes de San Fernando. The same year, he received a grant from the French government to study fresco painting for one year at the École des Beaux-Arts, Paris. During his time in Paris, he saw works by artists such as Juan Gris, Paul Klee, Joan Miró, Pablo Picasso, and especially Henri Matisse, whose influence can be seen in the landscapes and rural scenes Guerrero painted after returning to Spain.
From 1946, Guerrero spent several years traveling across Europe, staying in Bern, Brussels, London, Paris, and Rome. In Rome, he became friends with the artist brothers Afro and Mirko Basaldella. He also met Roxanne Whittier Pollock, an American journalist. The couple married in 1949, and moved to the United States, staying first in Philadelphia and settling a year later in New York.
Guerrero now became acquainted with many prominent members of the American avant-garde, including the artists Willem de Kooning, Franz Kline, Robert Motherwell, Ad Reinhardt, Mark Rothko, and Theodoros Stamos, and with James Johnson Sweeney, art critic and director of the Guggenheim Museum. Guerrero painted his last figurative work (a self-portrait) in 1950, and thereafter devoted himself to abstract expressionism. In 1954, his paintings were exhibited at the Betty Parsons Gallery, and in Sweeney's exhibition Younger American Painters: A Selection. He used his skills in fresco to collaborate with architects on postwar reconstruction projects, winning a fellowship from the Graham Foundation of Chicago for such work. In 1965, he returned to Spain, and from then on divided his time between there and U.S.A. He produced portfolios of graphic works to accompany the poems of Jorge Guillen, Stanley Kunitz and others. He died in 1991, survived by his wife, a son and a daughter.
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