Jorge Preloran
| Jorge Preloran | |
|---|---|
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| Born | May 28, 1933 Buenos Aires |
| Died | March 28, 2009 (aged 75) Culver City |
| Nationality | Argentine and American |
Jorge Ricardo Preloran (May 28, 1933 – March 28, 2009) was an Argentine filmmaker and a pioneer in ethnobiographic film making.
Preloran was born in Buenos Aires to an Argentine father and an Irish American mother. He made a short film, Venganza, in 1954, and left Argentina to enroll at UCLA, graduating with a film studies major in 1961. Holding dual citizenship, he served with the U.S. military in West Germany. He began a career as a filmmaker in 1961, when the Tinker Foundation offered him a grant to make several films on the gauchos of Argentina. Preloran sought to redefine the genre of ethnographic films, moving away from depicting their subjects as exotic or primitive, striving to make films that, as he told Americas magazine, "do not use the people about whom they are made."
From 1963-1969 Preloran produced educational films and films on Argentine folklife at the Universidad Nacional de Tucumán in Tucuman, Argentina. He also began to work in a style of ethnographic film known as ethnobiography, in which "the filmmaker gets closer to the subject to give a portrait of the subject as well as their culture and practices."
His 1969 film Hermógenes Cayo (Imaginero) was recently listed as one of the ten best Argentine films of all times. In making this film, he spent months with the subject (artist Hermógenes Cayo) prior to shooting, and followed many of the subject's suggestions in the actual film-making. This relationship between filmmaker and subject was to be repeated through his career. Preloran made over 50 films in his lifetime, working in Argentina, the United States, Ecuador, and elsewhere.
His 1980 film Luther Metke at 94 was nominated for the 1981 Academy Award for Best Documentary Short.
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