Jon Kessler (born 1957, Yonkers) is an American artist. He began college at SUNY Purchase from 1974—78 but left after two years to travel in Africa, Europe, and the Middle East. He returned to Purchase in 1978 and graduated in 1980 with honors. Following graduation, Kessler took up a studio in Brooklyn, New York where he continues to work today. He was one of the founders of the Bozart toy company and currently teaches at Columbia University. He also plays guitar for the X-Patsys, a band he started with artist Robert Longo and actress Barbara Sukowa.
Kessler is best known for his kinetic sculptures that leave the mechanics exposed for the viewer. His work often combines centuries-old analog mechanisms with digital technology to explore the runoff of consumerist, “post-utopian” societies.
Much of Kessler’s work from the 1990s examined the interactions and tensions between Orient and Occident. He often presented Asia as a construct of Western Orientalism, while at the same time portraying the West in a steady state of decline. Kessler blended these visions with equal parts humor and tragedy in pieces such as The Last Birdrunner (1994), a kinetic sculpture based on the science fiction movie Blade Runner. Shown in a solo exhibition at the Luhring Augustine Gallery in New York in 1994, The Last Birdrunner consists of a stuffed bird outfitted in a parachute pack and perched on a ledge that slowly travels up and down while a motor-driven apparatus plays out a haunting dirge on a toy piano. Meanwhile, colored lights flicker in and out of focus against a geodesic dome in the background so that the scene takes on the appearance – though none of the care-free energy – of a Tokyo night club. The Last Birdrunner represents, according to Artforum critic Neville Wakefield, “the nemesis of … utopian dreams in the guise of a lonely cockatoo wearing a life vest.”