John Psathas, ONZM (born 1966) is a New Zealand composer, son of Greek immigrant parents.
He has works in the repertoire of such high-profile musicians as Evelyn Glennie, Michael Houstoun, Michael Brecker, Joshua Redman and the New Juilliard Ensemble, and is one of New Zealand's most frequently performed composers. He has established an international profile and receives regular commissions from organisations in New Zealand and overseas.
Psathas grew up in Taumarunui and then Napier. He attended Napier Boys' High school and left early to study composition and piano at Victoria University of Wellington. He supported himself as a student partly by playing up to nine gigs a week in a jazz trio.
Psathas studied further with composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since lectured in music at Victoria University and continued to fulfil a busy schedule of commissions.
Early success came with Matre's Dance in 1991, a maximum-energy duet for percussion and piano that has since made Psathas' name internationally through having been taken up and championed by percussionist Evelyn Glennie. This work and Drum Dances are fast becoming standard repertoire for percussionists throughout the world.
According to his publisher Promethean Editions, a new work by John Psathas is an individual, unique entity, and his music is like that of no-one else. His 'sound' is difficult to define – the harmony and improvisational feel of jazz, the compelling rhythmic drive and excitement of rock music and the sustained repetitive textures of minimalism are apparent as influences, yet they combine and intermingle with something else more intangible. This undefinable quality is partly what makes his one of the most original voices in the arena of contemporary classical music in New Zealand.