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John Murphy (musician)

John Murphy
Birth name John Russell Murphy
Also known as John Smith from the Suburbs, Jonh Murphy, Shining Vril
Born (1959-07-11)11 July 1959
Origin Melbourne, Victoria, Australia
Died 11 October 2015(2015-10-11) (aged 56)
Occupation(s) Musician
Instruments Drums, percussion
Years active 1977–2015
Labels Post-punk, ambient, industrial
Associated acts News

John Russell Murphy (11 July 1959 – 11 October 2015) was an Australian drummer, percussionist and multi-instrumental session musician who played in Australian and British post-punk, ambient and industrial music groups.

John Russell Murphy was born in 1959 and raised in Melbourne, Victoria. His father, Russ Murphy, was a jazz drummer who played for many years with the Graeme Bell All Stars, John started learning drums and percussion from the age of 4. For secondary schooling he attended Scotch College, where he played in the school orchestra and in military and Scottish pipe bands.

John Murphy, as John Smith from the Suburbs, was the founding drummer in 1977 of punk band, News, with Adam Punk (real name Gavin Quinn) on vocals, Jarryl Circus (real name Jarryl Wirth) on guitar and Joy Relentless (real name Julie Jordan) on bass guitar. Jordan, Quinn and Wirth were all former members of Babeez. News' debut single, "Dirty Lies", was released in May 1978. In the following year they issued "Dowanna Love" and then "Sweet Dancer".

By May 1979 Murphy had left News and joined Whirlywirld, fronted by Ollie Olsen on lead vocals. Along with fellow Melbourne group Primitive Calculators, Whirlywirld was instrumental in fostering the experimental little band scene, of which Murphy was an active participant. Murphy served as an advisor for, and appeared in, director Richard Lowenstein's dramatisation of the scene, the 1986 film Dogs in Space. In 1980 Murphy and Olsen travelled to London and formed Hugo Klang, which issued a single, "Grand Life for Fools and Idiots", in 1982. They followed with "The Wheel of Fat". Murphy returned to Australia in 1984 where he continued to work with Olsen until the early 1990s in various post-punk bands: Orchestra of Skin and Bone (1984–86), NO (1987–89), and Max Q (1989–90).


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