His Grace The Duke of Rutland KG PC |
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John Manners, 3rd Duke of Rutland, by Charles Jervis, 1725, Belvoir Castle
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Lord-Lieutenant of Leicestershire | |
In office 1721–1779 |
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Monarch | George IV |
Preceded by | The Duke of Rutland |
Succeeded by | The Duke of Rutland |
Personal details | |
Born | 21 October 1696 |
Died | 29 May 1779 (aged 82) |
Nationality | British |
Political party | Whigs |
Spouse(s) | Bridget Sutton |
John Manners, 3rd Duke of Rutland KG PC (21 October 1696 – 29 May 1779) was an English nobleman, the eldest son of John Manners, 2nd Duke of Rutland and Catherine Russell. Styled Marquess of Granby from 1711, he succeeded to the title in 1721, cutting short a brief career in the House of Commons, where he had represented Rutland as a Whig.
He held a variety of government and court positions including Lord Lieutenant of Leicestershire 1721–1779, Chancellor of the Duchy of Lancaster 1727–1736, Lord Steward of the Household 1755–1761, and Master of the Horse 1761–1766.
John Manners, the 3rd Duke, was a collector of art. He started buying in 1742 and for two decades bought paintings, drawings and prints at the London art auctions. Agents bought for him at other auctions and he bought privately too, through dealers. On the death of his father, John, the 2nd Duke of Rutland, in 1721, the 3rd Duke had inherited the family collection of paintings acquired by his forebears including Old Masters and an uninterrupted run of ancestral portraits.
He liked small pictures and was reported to have said that “A man did not deserve a good picture that would not carry it home himself”. As a result, he spent less on his collection than other collectors who preferred bigger, more expensive paintings. For example, he did not buy on a par with his grandson, Charles, the 4th Duke of Rutland, friend and patron of Sir Joshua Reynolds. Nevertheless, he was a serious collector whose eye and temperament led him to buy smaller works of all the major European painters including Raphael, Titian, Bassano, Veronese, Guido Reni, and the Italianate northerners, especially Claude and the two Poussins. He is known to have spent some £3,210 for paintings but this figure must be taken as approximate and open to revision if new records come to light. By way of comparison, the building of his London townhouse in the same period, cost some £4,432.