John Keble
| John Keble | |
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| Born | 25 April 1792 Fairford, Gloucestershire, England |
| Died | 29 March 1866 (aged 73) The Hermitage Hotel, Bournemouth, England |
| Alma mater | Corpus Christi College, Oxford |
| Church | Church of England |
John Keble (/ˈkiːbəl/; 25 April 1792 – 29 March 1866) was an English churchman and poet, one of the leaders of the Oxford Movement. Keble College, Oxford was named after him.
Keble was born in Fairford, Gloucestershire where his father, the Rev. John Keble, was Vicar of Coln St. Aldwyns. He attended Corpus Christi College, Oxford, and, after a brilliant academic performance there, became a Fellow of Oriel College, Oxford, and was for some years a tutor and examiner in the University. While still at Oxford he took Holy Orders in 1815, and became first a curate to his father, and later curate of St Michael and St Martin's Church, Eastleach Martin in Gloucestershire.
Meantime, he had been writing 'The Christian Year', which appeared in 1827, and met with an almost unparalleled acceptance. Though at first anonymous, its authorship soon became known, with the result that Keble was in 1831 appointed to the Chair of Poetry at Oxford, which he held until 1841. Victorian scholar Michael Wheeler calls The Christian Year simply "the most popular volume of verse in the nineteenth century". In his essay on Tractarian Aesthetics and the Romantic Tradition, Gregory Goodwin claims that The Christian Year is "Keble's greatest contribution to the Oxford Movement and to English literature." As evidence of that Goodwin cites E. B. Pusey's report that ninety-five editions of this devotional text were printed during Keble's lifetime, and "at the end of the year following his death, the number had arisen to a hundred-and-nine". By the time the copyright expired in 1873, over 375,000 copies had been sold in Britain and 158 editions had been published. Notwithstanding its widespread appeal among the Victorian readers, the popularity of Keble's The Christian Year faded in the 20th century despite the familiarity of certain well-known hymns, e.g. "New every morning is the love."
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